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About Alfred Hitchcock. Wheatley likes how screenwriter Jane Goldman’s new adaptation adds a thriller element toward the end of the film but also teases out the circumstances of Rebecca’s death gradually, unlike the book and the Hitchcock movie that give it away pretty early. The new Netflix film, on the other hand, is anti-... all of that. Die Neuauflage eines Klassikers von Alfred Hitchcock sorgt bei Netflix für Gänsehaut pur – das verspricht jedenfalls der offizielle Trailer von "Rebecca".In dem neuen Film ist nichts, wie es zunächst scheint. Netflix's Rebecca, directed by Ben Wheatley, is an adaptation of Daphne du Maurier's novel of the same name, but it's also a remake of Alfred Hitchcock's Oscar-winning 1940 feature-film version of the story. There you go. Theirs is less a relationship than a pathology, but the Netflix film envisions it as a romance that is destined to be happy, once all those pesky long-buried secrets come to light. But we'll come to that.). Auf Netflix startet heute "Rebecca", die Neuauflage des Hitchcock-Thrillers aus den 40ern. The immense estate and her new duties gradually overwhelm her as Danvers works to undermine her authority and her sanity, until a horrible discovery is made, involving a scuttled sailboat. “She's building in her head that she'll never be as good as this person because (Rebecca is) so saintly.”. If you go into this Netflix retread with nothing to compare it to, it'll go down easy enough. Her Danvers isn't nearly as outsized as Anderson's, but her choices are just as smart and specific. Mit Armie Hammer, Lily James und Kristin Scott Thomas. There's also the fact that James spends most of the film on the perpetual verge of tears, while Hammer can't seem to muster Maxim's vaunted rage, which is so frequently referenced in the script, but never manages to make it to the screen. Mit diesem Projekt wagt sich Netflix in das Gebiet der Film-Klassiker vor: Der Streaming-Dienst plant den oscarprämierten Film "Rebecca" der Regisseur-Legende Alfred Hitchhock neu aufzulegen. One fortunate thing about doing a new take on the psychological thriller “Rebecca,” 80 years after Alfred Hitchcock’s Oscar-winning version: There’s no one to offend from the original movie. Netflix verfügt über eine solide Auswahl an neueren und älteren Thriller-Filmen. That scene isn't doing the work it's meant to, but you know who is? “You learn at the same pace as (the new Mrs. de Winter) and it's that growing, sickening feeling of like, ‘Oh, God, she didn't just die, she died in a tragic way,’” the director says. Mrs. Danvers (Kristin Scott Thomas) is forbidding, foreboding and fierce — easily the best thing about Netflix's Rebecca remake. It also gave Hammer an excuse to zoom around Monaco in a vintage 1920s Bentley. It must be said, however, that by starting the film in such a relatively grounded place, the journey Thomas is tasked with taking proves a much longer walk than Anderson's was, as the 1940 Danvers was pretty clearly off, from the jump. It's pretty to look at — the French Riviera of the film's opening act is colorful and sunny, and the Cornish cliffs of its conclusion are dramatic and thrilling. The original movie, released in 1940, won an Oscar for "Best Picture" and … Anderson is unforgettable, largely because she appears to be doing so little while serving you so much — she remains unnervingly still, expressionless and unblinking from scene to scene, yet manages to radiate menace ... and subtext. The thing that stays with you about the 1940 film is how enthusiastically it steers into the swoony gothic mystery of it all. sacrilege! It was a painstakingly wrought miniature, engineered to impress ... and unsettle. But it's also inevitable, because what the filmmakers have produced is not a fresh reimagining, but a dully dutiful remake. “I wanted to make something that would fit into that world,” he says. Lily James stars as a young newlywed who moves into the massive English estate of her new husband, Maxim de Winter (Armie Hammer), where the man’s dead spouse, Rebecca, still holds a lot of sway. And there is, of course, Judith Anderson as Mrs. Danvers, the performance that defines the movie. Wheatley shot his exteriors on location, with a bit of CGI goosing here or there, and the visual result is satisfyingly grand and sweeping, mostly. Rebecca (1940) is a strikingly horny movie, filled with characters breathlessly panting after one another, and doing so in the slightly heightened, stylized, larger-than-life performance style of the era. Nach "Rebecca" auf Netflix kommt "Bei Anruf Mord": Hitchcock-Klassiker wird zur Serie – mit einem Twist! Last week, Netflix announced that its remake of Alfred Hitchcock's classic Rebecca will be released on October 21. The 1930s are contemporary for Hitchcock’s “Rebecca,” and that’s the era Wheatley harks back to for his period piece, which pays homage in look and feel to its cinematic predecessor. hide caption. Der Brite schlägt sich gut in der Nachfolge seines Landsmanns Alfred Hitchcock. Let's acknowledge: It is wildly unfair to compare this knock-off to Hitchcock's iconic classic, which, not for nothing, won the Academy Award for best picture. Kerry Brown /Netflix In both the novel and the 1940 film, there is a great, yawning distance between the second Mrs. de Winter and her husband — he is much older, sneeringly condescending, and even cruel, where she is fearful, unsure and subservient. Netflix's haunting new 'Rebecca' stylishly reimagines a Hitchcock classic, 10 thrillers and chillers to watch at home for a horror-filled October, Your California Privacy Rights/Privacy Policy. As Hammer puts it, “’It's a ghost story with no ghosts.”, Review:Netflix's haunting new 'Rebecca' stylishly reimagines a Hitchcock classic, Halloween movies:10 thrillers and chillers to watch at home for a horror-filled October, “Rebecca” is also the kind of tale “that reverberates through generations,” he says. A little long, a little flabby in the middle maybe, but: Fine. Like the Hitchcock movie starring Laurence Olivier and Joan Fontaine, “Rebecca” is based on Daphne du Maurier's 1938 gothic novel. Anti-subtext, anti-horny, anti-swoon — at least in the performances, which are dialed back in a manner that renders them more realistic, yet far less interesting. Again and again, he had his actors declaim their lines or "drive" a car in front of rear-projections that hurt the eyes. When newlywed Mrs. de Winter (Lily James) arrives at her aristocratic husband’s (Armie Hammer) estate, she discovers the presence of his first wife, Rebecca, lingering in the home two years after her death.

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