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When the police claim the possibility of suicide, Favell attempts to blackmail Maxim by threatening to reveal that she had never been suicidal. "[11] Harrison's Reports declared: "A powerful psychological drama for adults. Was die Spannung und Finesse Hitchcocks später ausmachte, kann man hier zum Teil schon ein bisschen sehen. It received eleven nominations at the 13th Academy Awards, more than any other film that year. Maxim takes his new bride back to Manderley, his grand mansion by the sea in south-western England, dominated by its housekeeper Mrs. Danvers, a chilly individual who had been a close confidante of the first Mrs. De Winter—Rebecca—with whom she is clearly still obsessed. Am besten kommt das Dienstmädchen Judith Anderson rüber. In the novel, Mrs. Danvers is something of a jealous mother figure, and her past is mentioned in the book. Die Rollen wurden sehr gut eingesetzt. The site's consensus describes it as "a masterpiece of haunting atmosphere, Gothic thrills, and gripping suspense". But when he takes her to his country estate, Manderly, all her confidence disappears, especially in the face of Maxim's dour and mysterious housekeeper, Mrs. … Mit ihrer eiskalten Art, dominiert sie das geschehen. Hitchcock later said that Selznick wanted the smoke from the burning Manderley to spell out a huge "R", which Hitchcock thought lacked subtlety. "[10] Film Daily wrote: "Here is a picture that has the mark of quality in every department - production, direction, acting, writing and photography - and should have special appeal to femme fans. Rebecca won two Academy Awards and was nominated for nine more:[22] It is the only film since 1936 (when awards for actors in supporting roles were first introduced) that, despite winning Best Picture, received no Academy Award for acting, directing or writing. Sir Laurence Olivier übernahm die Rolle des traumatisierten Reichen Mannes. A free man, Maxim returns home to see Manderley on fire, set ablaze by the deranged Mrs. Danvers. The Breen Office, Hollywood's censorship board, specifically prohibited any outright hint of a lesbian infatuation or relationship between Mrs. Danvers and Rebecca,[5]:70 though the film clearly does dwell on Danvers' obsessive memories of her late mistress. Rebecca - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | cinema.de The production credits on the film were as follows: Frank S. Nugent of The New York Times called it "an altogether brilliant film, haunting, suspenseful, handsome and handsomely played. Barnes fokussierte die Kamera sicherlich immer um den Plot, aber auch stetig, um die Schauspieler. [15], Rebecca was the opening film at the 1st Berlin International Film Festival in 1951. The film is a gothic tale shot in black-and-white. In einer seiner Frühwerke aus dem Jahr 1940, übernahm er den Roman von Daphne Du Maurier "Rebecca". [6] The complaint was dismissed on January 14, 1948[7] and the judgment can be read online.[8]. "[17] A restored nitrate print of Rebecca was shown at the Grauman's Egyptian Theatre in Hollywood in 2019. [2] However, at least one plot detail was altered to comply with the Hollywood Production Code, which said that the murder of a spouse had to be punished. By A.H. WEILER. Danvers advises her to copy the dress that one of Maxim's ancestors is seen wearing in a portrait. To conceal the truth, Maxim took the body out in a boat, which he then scuttled and identified another body as Rebecca's. Immer up to date bleiben! It was Hitchcock's first American project, and his first film under contract with producer David O. Selznick. Daneben werden allerdings die Hauptdarsteller nicht blass, im Gegenteil: Gerade Joan Fontaine als 2.Mrs de Winter gelingt es, die knisternde Stimmung des Filmes mitzutragen. Seine Werke sind legendär und werden immer noch gerne gesehen. When she claimed she was pregnant by her cousin and lover, Jack Favell, she taunted Maxim that the estate might pass to someone other than Maxim's line. It was re-released in Britain in 1945 and made $460,000. Joan Fontaine die leicht naive und doch verliebte Ehefrau von Olivier. "[9] Variety called it "an artistic success" but warned it was "too tragic and deeply psychological to hit the fancy of wide audience appeal. When Maxim goes to the police, they suspect him of murder. Rebecca is a 1940 American romantic psychological thriller film directed by Alfred Hitchcock. The Hollywood Reporter reported in 1944 that Edwina Levin MacDonald sued Selznick, Daphne du Maurier, United Artists and Doubleday for plagiarism. [14] Rebecca won the Film Daily year-end poll of 546 critics nationwide naming the best films of 1940. Die Blechtrommel, Texas Chainsaw Massacre, Mulan - der CINEMA Newsflash (KW 35), Stranger Things, Der Exorzist, Ein Ticket für Zwei - der CINEMA Newsflash (KW 34). Rebecca: TV-Miniserie nach dem Roman von Daphne Du Maurier. Rebecca was theatrically released on April 12, 1940 to critical and commercial success. The screenplay by Robert E. Sherwood and Joan Harrison, and adaptation by Philip MacDonald and Michael Hogan, were based on the 1938 novel of the same name by Daphne du Maurier. Alfred Hitchcock ist wie bekannt, Meister der Spannung! Although Selznick insisted that the film be faithful to the novel, Hitchcock did make some other changes, though not as many as he had made in a previously rejected screenplay, in which he altered virtually the entire story. [20], According to Kinematograph Weekly it was the most popular film of 1940 in Britain.[21]. Eventually, her constant reminders of Rebecca's glamour and sophistication convince the new Mrs. de Winter that Maxim is still in love with his first wife, which could explain his irrational outbursts of anger. Der Film gewann 1941 zwei Oscars. Für diese Funktion müssen sie in der Community angemeldet sein. "[12] John Mosher of The New Yorker wrote that Hitchcock "labored hard to capture every tragic or ominous nuance, and presents a romance which is, I think, even more stirring than the novel. Genial, wie er den Geist der Rebecca immer über der Szene schweben lässt, die tosende Brandung des Meeres, der -so kann man schon beinahe sagen - Sarg Rebeccas, an die Felsen unterhalb von Manderley klatschen lässt und mit der beinahe wie ein Geist durch die Räume von Manderley wandelnden Mrs. Danvers eine unheimliche Figur einführt, die den kompletten Film mit einem schauderhaften Schleier umhüllt. The film stars Laurence Olivier as the brooding, aristocratic widower Maxim de Winter and Joan Fontaine as the young woman who becomes his second wife, with Judith Anderson, George Sanders and Gladys Cooper in supporting roles. The only thing known about her in the film is that she came to Manderley when Rebecca was a bride. However, further investigation reveals that she was not pregnant but terminally ill due to cancer, so the suicide verdict stands. During a heated argument, she fell, struck her head, and died. It won two awards; Best Picture, and Best Cinematography, becoming the only film directed by Hitchcock to win the former award. The screenplay by Robert E. Sherwood and Joan Harrison, and adaptation by Philip MacDonald and Michael Hogan, were based on the 1938 novel of the same name by Daphne du Maurier. David O. Selznick has given it a superb production, and Alfred Hitchcock has again displayed his directorial skill in building up situations that thrill and hold the spectator in tense suspense. A young English girl in Monte Carlo falls in love with a rude, handsome stranger who proposes to her and rescues her from the drudgery of being a hired companion. Spannung pur, von Beginn bis zum Ende des Films gefesselt, dazu eine excellente, verstrickte Story - das ist der Altmeister des Thrillers in seiner besten Verfassung. However, Rebecca was not pregnant but had incurable cancer and had a motive to commit suicide, that of punishing Maxim from beyond the grave. Rewrites and reshooting were called for after a rough cut was previewed on December 26, 1939.[4]. In the film, Mrs. Danvers is a much younger character (Judith Anderson would have been about 42 at the time of shooting), and her past is not revealed at all. She tries to please her husband by holding a costume party like he and Rebecca used to. Hitchcock edited the film "in camera" (shooting only what he wanted to see in the final film) to restrict the producer's power to re-edit the picture. [18], The film earned $3 million in US rentals[19] and $1 million in Britain on its initial release. Therefore, her death is declared a suicide, not murder. An inexperienced young woman meets aristocratic widower Maxim de Winter at the French Riviera and soon becomes the second Mrs. de Winter.

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